Photo: Kendra Epik (L), Spotlight Glow (R).

Opening Night is SOLD OUT!

Sweet Ephemera

A double bill exploring queer intimacies of diasporic ritual featuring Eilish 미정 Shin-Culhane’s Peel Me and Jose Miguel “Miggy” Esteban’s pahinga ka muna.

June 18-20, 2026

The Theatre Centre

 

Celebrate opening night of Sweet Ephemera!  Join us for a post show reception in The Theatre Centre Cafe.

Meet the artists! Participate in a post show talkback moderated by Elodie Kyra Teoh on June 20. ASL-English Interpretation is provided by Aliya Haniff and Raeven Waite during the talkback and present pre/post show for accessibility needs.

Venue Guide
Digital Program
Buy Tickets

Tickets for Sweet Ephemera range from $18-40.

Program Guide

Peel Me

Eilish 미정 Shin-Culhane

Peel Me asks you to peel back your layers. Will you? Can you? What sits just under the surface? And then under that? Through a series of vignettes, Peel Me’s performers eat and destroy grapefruits and fortune cookies, using mess as an access for catharsis. This experimental Western contemporary dance work examines nuanced states of control, release, greed and care, all while building a truly sensory experience.

Photos: Kendra Epik

Jose Miguel ‘Miggy’ Esteban

pahinga ka muna

pahinga ka muna,  

take a rest first.

Returning to rest as a crip space of memory, dreaming, and worldmaking, Miggy invites you to take part in an improvisational ritual of mourning that traces the multisensorial mad and queer routes of their Filipinx diasporic inspirations.

Influenced through disability/crip/mad arts practices of engaging access as creative provocation, this work experiments with multisensorial, poetic, and narrative audio descriptions–reorienting to them as the choreographic scores that potentiate ephemeral and non-replicable improvised performances of care.

Photos: Spotlight Glow and courtesy of CanAsian Dance and Toronto Dance Theatre EntryWaves Residency (2024)

Sweet Ephemera

June 18 - 20, 2026

The Theatre Centre

Sweet Ephemera June 18 - 20, 2026 The Theatre Centre

Thursday, June 18 and Friday, June 19 Performances:
We request that audience members mask if they can as part of our collective access support.

Saturday, June 20 Performance:
ASL Interpreter on site pre- and post- show
ASL interpreted talkback
Masking optional

For access inquiries, requests, or feedback please contact [email protected].

Follow us on Instagram to get exclusive content about Sweet Ephemera artists, Behind-The-Scenes & more!

Image Descriptions

  • Cover Images:

    • Left - Two white performers sit partially obstructed under a clear plastic tarp, eyes cast upwards. A vibrant grapefruit is seen between them, held between their faces. The text overlaid reads "peel me" in curved stylized writing.

    • Right - Brown-skinned hands rest on a banig, their clawed fingers digging into waves of woven palm. The text overlaid reads “pahinga ka muna” in bold lettering.

  • Peel Me Image: Three performers share a grapefruit half. Their teeth rip and pull at the lone fruit. The photo appears overlayed with plastic as the text reads 'peel me'.

  • Horizontal Row of Rehearsal Images from Peel Me’s Rehearsal Process (Left to Right):

    • Five dancers stand in a dance studio with grapefruits held up to their shoulder, peering over the other. curtains, the dancers look serious and pensive.

    • A close-up on hands ripping a grapefruit apart. We see the performers rings and tattoos as she get covered in grapefruit juice.

    • Two dancers share weight in a yellow and pink dance studio. One holds the knee of another, with the dancer on the left in a deep backbend.

    • A dancer sits on the shoulder of two others. She looks around with urgnecy.

    • Two dancers hold each other closely.

  • pahinga ka muna Image: Miggy lies on the ground, their face bathing in the spotlight’s glow as the arms of a barong embrace their neck. Their hand reaches above their head, as their brown-skinned palm presses a rosary against the floor beneath them.

  • Horizontal Row of Rehearsal Images from pahinga ka muna’s Rehearsal Process (Left to Right):

    • Brown-skinned hands rest on a banig, their clawed fingers digging into waves of woven palm.

    • Miggy sits in an empty studio, looking up to a spotlight as a cloud of white fabric encircles their torso. Their arms reach up as the light brown skin of their fingers become entangled with the string of a rosary, thumb rubbing against the dark brown grain of its beads.

    • Bordered by a semi-circle halo of white cards, a pile of tarot cards, a singing bowl, and books, Miggy lies on a barong. Its pineapple silk arm drapes over Miggy’s chest. Eyes closed, they feel the embrace of this garment and the soothing spotlight caressing the brown skin of their face.

    • Brown-skinned hands rest on a barong, their fingers pinching at the pearl button fastening together the pineapple silk of this garment.

    • Miggy lies on their side, a cloud of white fabric scratches against their neck. The glistening brown skin of their leg extends out, trying to escape the spotlight’s gaze. Their own gaze is transfixed on the mess of a rosary’s beads entangled within their fingers.