Photo: Kendra Epik (L), Spotlight Glow (R).

Sweet Ephemera

A double bill exploring queer intimacies of diasporic ritual featuring Eilish 미정 Shin-Culhane’s Peel Me and Jose Miguel “Miggy” Esteban’s pahinga ka muna.

June 18-20, 2026

The Theatre Centre

 
Buy Tickets

Tickets for Sweet Ephemera range from $18-40.

  • SUPPORTER - $40.00 incl. HST and fees - If you have access to a salary, savings, investments, assets, or familial wealth, selecting this rate will help subsidize the attendance of someone for whom cost is a barrier. 

    REGULAR - $36.00 incl. HST and fees - This rate reflects the regular cost for the event. Please select this rate if you have access to a regular income and are able to meet your basic needs around food, housing, and transportation.

    SUBSIDIZED - $18.00 to $24.00 incl. HST and fees - Please select this rate if you are able to meet your basic needs but have gaps in your income and limited access to savings or familial support.

    This approach is greatly inspired by the Toronto Dance Community Love-In. Special thanks to Leelee Oluwastoyosi Eko Davis for sharing their knowledge!

Sweet Ephemera Workshops

June 14th, 2026 at 8:00pm at The Theatre Centre, 1115 Queen St. W

Join Eilish 미정 Shin-Culhane and Jose Miguel ‘Miggy’ Esteban on June 14th for three Sweet Ephemera Workshops at The Theatre Center.

Peel Me

Eilish 미정 Shin-Culhane

Peel Me asks you to peel back your layers. Will you? Can you? What sits just under the surface? And then under that? Through a series of vignettes, Peel Me’s performers eat and destroy grapefruits and fortune cookies, using mess as an access for catharsis. This experimental Western contemporary dance work examines nuanced states of control, release, greed and care, all while building a truly sensory experience.

  • Eilish 미정 Shin-Culhane is a Tkaronto-based queer mixed-Korean artist, dancer and choreographer. Holding a BFA from Marymount Manhattan College, they have performed in works by Peter Chu, Bill T. Jones, Nicole von Arx, Angela Blumberg, Nova Bhattacharya, Vim Vigor and Esie Mensah. Their choreography has been presented through Peggy Baker Dance Projects, TDT’s Pilot Episodes Program, the Citadel + Compagnie’s Night Shift, and upcoming in DanceWorks’ Sweet Ephemera. They centre joy, discussion and catharsis through their collaborative process, prioritizing deep connections and continual growth. Eilish continues to be inquisitive in both her mover and maker selves, valuing community, play, and curiosity.

  • Choreographer: Eilish 미정 Shin-Culhane

    Dancers: Morgyn Aronyk-Schell, Steph Harkness, Shona Kiyama, Hannah Shikatani, Barbara Simms

    Composer: Aidan McConnell

    Costume Designer: Charlotte Carbone

    Stage Manager: Helin Gungoren

    Lighting Designer: Hannah Kirby

    Thank you to the Canada Council for the Arts, the Ontario Arts Council and the Toronto Arts Council for your research support. A deep and continued thank you to the National Ballet’s Open Space Programme. An endless thank you to those who have supported this work and lived in this world in its many evolutions, Kéïta Fournier-Pelletier, Tavia Christina, Audrey Sides, Élodie Kyra, Judy Luo, Audrianna Martin del Campo, Kaelin Isserlin, Jessica Mak, Sophia Hassenstein, Kathy Le, Kendra Epik, Nova Dance, CanAsian Dance, and the Toronto Dance Theatre's Pilot Episodes Program. And finally to Dedra for your trust, to DanceWorks for your support, to Miggy for being the best double-bill mate and to Austin for everything else.

Photos: Kendra Epik

Jose Miguel ‘Miggy’ Esteban

pahinga ka muna

pahinga ka muna,  

take a rest first.

Returning to rest as a crip space of memory, dreaming, and worldmaking, Miggy invites you to take part in an improvisational ritual of mourning that traces the multisensorial mad and queer routes of their Filipinx diasporic inspirations.

Influenced through disability/crip/mad arts practices of engaging access as creative provocation, this work experiments with multisensorial, poetic, and narrative audio descriptions–reorienting to them as the choreographic scores that potentiate ephemeral and non-replicable improvised performances of care.

  • Jose Miguel ‘Miggy’ Esteban is a dance/movement artist and educator whose choreographic work explores improvisational practices of navigating mad and queer routes to embody Filipinx (un)belonging. Miggy is also a PhD candidate in social justice education and a course instructor at the University of Toronto where their research and teaching explores critical and creative pedagogies oriented through disability/mad arts and culture, black radical traditions of poetic study, and improvised dance/performance.

  • Choreographer, Writer, and Performer: Jose Miguel ‘Miggy’ Esteban

    Videographer and Editor: Spotlight Glow

    Composer and Sound Designer: JJ Omelagah

    Audio Description Voice Performer: Elaine Cagulada

    Deaf Interpreter: Courage Bacchus

    Lighting Designer: Hannah Kirby

    Stage Manager: Helin Gungoren

    Access Support and Dramaturge: Kass Prus

    Care Dramaturge: Dedra McDermott

    Filipinx Dramaturge: Bee Pallomina

    Disability Dramaturge: Jessica Watkin

    Filipino Sign Language Consultant: Carmelle Cachero

    ASL-English Interpreters: Aliya Haniff and Breann O’Hara-Johns

    Development for this work was supported by Toronto Dance Theatre’s “Plug N’ Play” Residency, and CanAsian Dance x Toronto Dance Theatre’s “EntryWaves” Residency. This project has received funding support from the Toronto Arts Council and the Ontario Arts Council.

Photos: Spotlight Glow and courtesy of CanAsian Dance and Toronto Dance Theatre EntryWaves Residency (2024)

Sweet Ephemera

June 18 - 20, 2026

The Theatre Centre

Sweet Ephemera June 18 - 20, 2026 The Theatre Centre

Thursday, June 18 and Friday, June 19 Performances:
We request that audience members mask if they can as part of our collective access support.

Saturday, June 20 Performance:
ASL Interpreter on site pre- and post- show
ASL interpreted talkback
Masking optional

For access inquiries, requests, or feedback please contact [email protected].

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Image Descriptions

  • Cover Images:

    • Left - Two white performers sit partially obstructed under a clear plastic tarp, eyes cast upwards. A vibrant grapefruit is seen between them, held between their faces. The text overlaid reads "peel me" in curved stylized writing.

    • Right - Brown-skinned hands rest on a banig, their clawed fingers digging into waves of woven palm. The text overlaid reads “pahinga ka muna” in bold lettering.

  • Peel Me Image: Three performers share a grapefruit half. Their teeth rip and pull at the lone fruit. The photo appears overlayed with plastic as the text reads 'peel me'.

  • Horizontal Row of Rehearsal Images from Peel Me’s Rehearsal Process (Left to Right):

    • Five dancers stand in a dance studio with grapefruits held up to their shoulder, peering over the other. curtains, the dancers look serious and pensive.

    • A close-up on hands ripping a grapefruit apart. We see the performers rings and tattoos as she get covered in grapefruit juice.

    • Two dancers share weight in a yellow and pink dance studio. One holds the knee of another, with the dancer on the left in a deep backbend.

    • A dancer sits on the shoulder of two others. She looks around with urgnecy.

    • Two dancers hold each other closely.

  • pahinga ka muna Image: Miggy lies on the ground, their face bathing in the spotlight’s glow as the arms of a barong embrace their neck. Their hand reaches above their head, as their brown-skinned palm presses a rosary against the floor beneath them.

  • Horizontal Row of Rehearsal Images from pahinga ka muna’s Rehearsal Process (Left to Right):

    • Brown-skinned hands rest on a banig, their clawed fingers digging into waves of woven palm.

    • Miggy sits in an empty studio, looking up to a spotlight as a cloud of white fabric encircles their torso. Their arms reach up as the light brown skin of their fingers become entangled with the string of a rosary, thumb rubbing against the dark brown grain of its beads.

    • Bordered by a semi-circle halo of white cards, a pile of tarot cards, a singing bowl, and books, Miggy lies on a barong. Its pineapple silk arm drapes over Miggy’s chest. Eyes closed, they feel the embrace of this garment and the soothing spotlight caressing the brown skin of their face.

    • Brown-skinned hands rest on a barong, their fingers pinching at the pearl button fastening together the pineapple silk of this garment.

    • Miggy lies on their side, a cloud of white fabric scratches against their neck. The glistening brown skin of their leg extends out, trying to escape the spotlight’s gaze. Their own gaze is transfixed on the mess of a rosary’s beads entangled within their fingers.